On the night of November 26, I was woken by the shrill buzz of my mobile. My parents wanted to know if I was ok. I was stumped. Why wouldn’t I be ok in the safety of my own room?
Then I turned on the TV and realised that none of us were safe. Anywhere. Not when people could saunter into our homes, our hotels, our lives and start ripping everything apart with a hail of bullets.
I spent a sleepless night (the first of three) watching as terror ripped through Mumbai, painting the city in the red of fire and the black of smoke—the staccato of bullets, the screams of the dying and the confusion of the masses, the only sounds to be heard.
But what kept flashing through my mind was that I had spent seven hours at the Taj Mahal Hotel and the Gateway of India just the previous day. We were shooting for the Indian Idol Rubaroo episode, and after a tiring Mumbai darshan, we had landed at the promenade.
The contestants were glad to be off the bus and out in the sunlight, the sea breeze ruffling their hair. Those who hadn’t seen the hotel or the Gateway were doing the ‘touristy’ bit—gawking at the magnificent facades, wishing they had cameras so they could pose in front of them, trying to scare the pigeons so they would all take flight en masse.
We also hired a boat and went out into the bay for a spot of partying. It was great, watching the red sun go down behind the Taj, setting its dome on ‘fire’ with its scarlet rays. It was great watching the lights of the nearby boats come on one by one, until we were surrounded by dark water and pinpricks of disembodied lights.
Little did we realise that enemy would come by the very same sea, on a boat like the ones around us. Little did we realise that the ‘scarlet’ dome would soon be engulfed by a ravaging fire that would not gild it, but destroy it.
As I watched the Taj burn and the bodies being carried out, I not only mourned the dead but also the death of innocence.